Jeffery Howe

Professor Emeritus, Art History

Representative Publications

  • Nature's Mirror: Reality and Symbol in Belgian Landscape, McMullen Museum, 2017. Editor.
  • 鈥淣ature鈥檚 Mirror: Reality and Symbol in Belgian Landscape,鈥 introduction to Nature's Mirror: Reality and Symbol in Belgian Landscape, McMullen Museum, 2017, 5-41.
  • 鈥淔ernand Khnopff鈥檚 Landscapes: Nature as Mirror,鈥 in Nature's Mirror: Reality and Symbol in Belgian Landscape, McMullen Museum, 2017, 63-80.
  • Fernand Khnopff: Writings on Art and Artists, 541 pages, 2016. Editor and translator. 听
  • John La Farge and the Recovery of the Sacred, 艾可直播 College: McMullen Museum, 2015. Editor.
  • 鈥泪苍迟谤辞诲耻肠迟颈辞苍,鈥 John La Farge and the Recovery of the Sacred, 艾可直播 College: McMullen Museum, 2015, 9-26.
  • 鈥淭he Light of Memory: John La Farge and Stained Glass,鈥 John La Farge and the Recovery of the Sacred, 艾可直播 College: McMullen Museum, 2015, 51-84.
  • Courbet: Mapping Realism, 艾可直播 College: McMullen Museum, 2013. Editor.
  • 鈥淐ourbet: Mapping Realism,鈥 in Courbet: Mapping Realism, 艾可直播 College: McMullen Museum, 2013, 9-19.
  • 鈥淚nside Out: Courbet and the Challenge of Realist Landscape,鈥 in Courbet: Mapping Realism, 艾可直播 College: McMullen Museum, 2013, 77-84.
  • 鈥淕ustave Courbet et l鈥橝m茅rique. The Belgian Connection,鈥 in Courbet et la Belgique, catalog of exhibition, Brussels: Royal Museums of Fine Arts of Belgium, 2013, 131-143.
  • 鈥淧aul Klee and the Unseen World: Ghosts, Somnambulists, and Witches,鈥 in Paul Klee: Philosophical Vision; From Nature to Art, ed. John Sallis, 艾可直播 College: The McMullen Museum of Art, 2012, 83-92.
  • 鈥淕ustave Courbet: The American Connection,鈥 in Courbet et Belgique, Dominique Marechal, ed., catalog of exhibition at the Royal Museums of Fine Arts of Belgium, scheduled for June 2013.
  • 鈥淔ernand Khnopff: Two Studies for A Sphinx 1889 / Two Studies for Victoria 1892,鈥 brochure published by the Patrick Derom Gallery, Brussels/New York, 2011, 3-15.
  • 鈥淭he Gothic Image,鈥 in Transforming Light: The Stained-Glass Windows of 艾可直播 College, ed. Virginia Raguin, 艾可直播 College. 2009.
  • 鈥淭he Refuge of Art: Gustave Moreau and the Legacy of Symbolism,鈥 in Mystic Masque, Semblance and Reality in Georges Rouault 1871-1958, ed. Stephen Schloesser, 艾可直播 College: McMullen Museum of Art, 2008, 45-62.
  • A New Key: Modern Belgian Art from the Simon Collection, catalog of exhibition, McMullen Museum, 艾可直播 College, 2007. (ed.).
  • Houses of Worship: An Identification Guide to the History and Style of American Religious Architecture, London: PRC Publishing, 2003.
  • The Houses We Live In: An Identification Guide to the History and Style of American Domestic Architecture, London: PRC Publishing, 2002. (ed.).
  • "A 'Monster Edifice': Ambivalence, Appropriation and the Forging of Cultural Identity at the Centennial Exhibition," The Pennsylvania Magazine of History and Biography, vol. CXXVI, no. 4, October, 2002, pp. 635-650.
  • Edvard Munch: Psyche, Symbol, and Expression, catalog of exhibition, the McMullen Museum of Art, 艾可直播 College, 2001. (ed.).
  • "Nocturnes: Munch and Melancholia, and the Mysteries of Life and Death," in Edvard Munch: Psyche, Symbol, Expression, catalog of exhibition, the McMullen Museum of Art, 艾可直播 College, 2001, pp. 48.
  • The Plume and the Palette: Essays in Honor of Josephine von Henneberg, New York: Peter Lang, 2001. (ed.).

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